Yavuz Sultan Selim Hunting Scene Iznik Ceramic Panel

Yavuz Sultan Selim Hunting Scene Iznik Ceramic Panel

Product Features

• Consists of 2 Iznik ceramic tiles, each 20 x 20 cm.
• Panel dimensions: 58 x 38 cm.
• Yavuz Sultan Selim hunting scene pattern is completely handmade.
• Produced with the underglaze technique and fired at 800–1200 °C.
• The product is in stock and shipped the same day.
• There is a wall-hanging apparatus on the back.
• Delivered in a velvet-covered wooden box.
• For international orders, your product is handed over to the shipping carrier with ultra-protective special packaging. Estimated delivery time is 3–7 business days for European countries and the United States, and 4–9 business days for other countries. Delivery times may vary depending on the shipping carrier, customs procedures, public holidays, and local delivery processes.

Pattern Information: Hunting Scene Motif

The hunting scene motif is a popular pattern in Iznik ceramics and is seen on 16th and 17th century tiles. The hunting scene is usually depicted realistically, showing the hunter and the prey in great detail. This motif generally represents the power and authority of the Ottoman sultan, who is often portrayed as a hunter.

Power and authority: The hunting scene motif was often used to represent the power and authority of the Ottoman sultan. The sultan was usually depicted as a hunter, which was seen as a sign of his power and masculinity. The hunting scene can also be seen as a way of demonstrating the sultan’s command over nature.

Leisure and luxury: The hunting scene motif can also be seen as a representation of the Ottoman ideal of leisure and luxury. Hunting was a popular pastime among the Ottoman elite and was viewed as a way to enjoy the outdoors and escape the bustle of city life. The hunting scene can also be seen as a way of displaying the wealth and status of the Ottoman elite.

Popular entertainment: The hunting scene motif in Iznik ceramics was also simply a popular subject. Hunting was a common activity in the Ottoman Empire and was something people could relate to. The hunting scene can also be seen as a way of depicting the beauty of the natural world.

The meaning of the Ottoman military hunting scene motif in traditional artworks such as Iznik ceramics carries both aesthetic and cultural meanings. It reflects the lifestyle of the period, the importance of hunting in Ottoman society, and the way art reflected the values of the era.

Power and competence: Hunting scenes symbolize the physical strength, agility, and combat skills of Ottoman soldiers. In the Ottoman world, hunting was seen not only as a sport, but also as part of the art of war. These motifs represent the courage and mastery of Ottoman soldiers.

Harmony with nature: Nature was a frequently used theme in Ottoman art. Hunting scene motifs emphasize the Ottoman connection with nature and respect for the order of nature. In this context, animals, plants, and people are depicted in harmony.

Social and cultural life: Hunting was an important activity in the Ottoman palace and served both entertainment and military preparation purposes. These motifs offer clues about the daily life of the Ottoman elite as a reflection of palace life.

Artistic depth and storytelling: Hunting scene motifs demonstrate the storytelling ability of artists. Soldiers, horses, game animals, and natural elements on the tile are worked into a detailed composition, offering both artistic depth and a historical story.

Power and prestige of rulership: These motifs symbolize the power and prestige of the Ottoman sultan. Hunting was also seen as a symbolic act reflecting the ruler’s control over nature and society.

The use of such motifs in Iznik ceramics shows how art was valued as both a decorative and meaningful medium. These motifs are valuable historical heritages that carry the cultural richness and aesthetic understanding of the Ottoman Empire to the present day.